I am happy to use any camera system from speciality rigged cams to large cinema camera packages but also maintain a small curated selection of essential equipment for shooting where these are not required.
CAMERAS
- Blackmagic Design URSA Cine LF 12K w/ PL Mount and EF Mount – 12K Open Gate up to 80fps – up to 224fps in 8K 2.40:1
- 2 x 1TB Angelbird CF Express Type B cards
Nikon ZR – 6K full-frame up to 60fps. Small and compact. Red R3D recording. Dual Base ISO of 800/6400. Works well with gimbals and car mounts. Excellent stills camera as well. Comes with AF 40mm f2 lens (works great handheld or on gimbal for example), PL Mount adapter and Contax Zeisss C/Y Adapter.
LENSES
- Sirui Cine Zoom 28-85mm T3.2 PL Mount
- Mantis Anamorphic 50mm T2.0 PL Mount
FILTRATION
- Mattebox
- NiSi 4×5.65″ Neutral Density Filter 0.3
- NISI Clear Optical Flat Filter 4×5.65″
- Tokina Hydrophilic (rain-repellent) 105mm screw-in filter with step-up filters
- Nisi True-Colour Vari-ND 82mm
- 82mm Screw-in Diopters
- Multiple creative filters – Prisms/Centre spot diopter/Centre split Diopter
SUPPORT
- Manfrotto 536 with Nitrotech 612 Tripod
AUDIO
- Sony UWP-D11 Wireless Lav Mic Pack
- Rode Wireless Micro (2x mics plus receiver)
MONITORING AND FOCUS
- OSEE 15.6″ Production Monitor
- Hollyland Pyro 5 5″ Monitor with wireless transmission via receiver or app
- TILTA Nucleus Nano II Wireless follow focus with wheel or handle/grip focus
POWER
- 3 x Bebob B290 Cine 290Wh B-Mount batteries
- Bebob Dual B-Mount Charger
- Multiple Sony NP-F batteries plus chargers
LIGHTING
- Nanlite Forza 500 LED inc. fresnel and light-shaping tools
- 2 x Aputure Amaran T2C 2-FOOT RGBW light tubes with grids
- Aputure Amaran 300C RGBW LED plus spotlight attachment
- Aputure Lantern, Collapsible 4’X4’ diffusion frames, Reflectors and Bounce
- Flags, Rags and Blackout Material
- C-Stands, Boom arms and Lighting stands
MISC
- MSI Vector 16 Laptop with Hedge Offshoot, Adobe CC and Da Vinci Resolve Studio
- Rock n Roller R6 Trolley